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Live-Action Video Girl Ai Series Gets Sequel in April

TV Tokyo announced on Saturday that Den'ei Shōjo ~Video Girl Ai 2018~, the new live-action television series based on Masakazu Katsura's Video Girl Ai (Den'ei Shōjo) manga, is getting a sequel series titled Den'ei Shōjo ~Video Girl Mai 2019~ that will premiere in April.
A television special titled Den'ei Shōjo ~Video Girl Ai 2018~ Tokubetsu-hen aired early on Saturday morning. The special ended with a picture of a new Video Girl, Video Girl Mai/Mai Kamio (played by Nogizaka 46 member Mizuki Yamashita).
The first live-action series premiered on TV Tokyo and its affiliates in January 2018, but episodes streamed one week earlier on Amazon Prime Video in Japan. Kazuaki Seki (music videos for Perfume, Gen Hoshino) directed the first television series and the special, and Kohei Kiyasu penned the script for both alongside Yoshitatsu Yamada. The first season and the special starred: Nanase Nishino (Nogizaka 46), Shūhei Nomura, Marie Iitoyo, Hiroya Shimizu, Karen Ōtomo, Jun Murakami, and Shigeyuki Totsugi. tofubeats composed the music and performed the theme song.
The live-action television series resets the original manga's timeframe to modern-day 2018, and it centers around Yōta's nephew, high school student Shō Moteuchi. Shō harbors a secret crush on his beautiful classmate Nanami. One day, he discovers an old broken videocassette recorder at his uncle Yota's home. He fixes the recorder, and a mysterious girl named "Video Girl Ai" springs out.
Katsura published the manga in Shueisha's Weekly Shonen Jump magazine from 1989 to 1992. Shueisha published 15 compiled book volumes, and then reissued the manga in nine volumes for its keepsake and trade paperback editions. In addition to the six-volume 1992 anime, the manga also inspired an earlier 1991 live-action film. Viz Media released the manga and its 1992 original video anime adaptation in North America.

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Actress Erika Sawajiri tests negative after admitting drug use

Actress Erika Sawajiri, arrested for allegedly possessing the synthetic drug MDMA, has tested negative in a urine test for MDMA and other illegal drugs, police said Wednesday.
After she was arrested last week, the 33-year-old told investigators that she obtained MDMA from an acquaintance a few weeks ago at a nightclub and admitted to taking the drug, also called Ecstasy.
MDMA usually goes out of a person's system within two to three days after taking it, and Sawajiri took the test on a voluntary basis on Saturday, the day she was arrested, according to the Metropolitan Police Department.
The police are trying to trace how she obtained drugs by analyzing data in a confiscated mobile phone, among other steps.
Sawajiri was quoted as telling investigators, "I first used illegal drugs more than 10 years ago, and I also used marijuana, LSD, and cocaine," according to the police.
The police searched her home in Tokyo on Saturday morning when she returned after a night out at a club in the Shibuya shopping and nightlife district, and found 0.09 gram of powder containing MDMA.
She did not have any illegal drugs in her possession when she came home. MDMA is a popular street drug especially among young people.
Sawajiri was cast to play the role of 16th-century Japanese warlord Oda Nobunaga's wife in public broadcaster NHK's historical drama series "Kirin ga Kuru" in 2020.

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J-pop star Ayumi Hamasaki is going completely deaf

Japanese pop star Ayumi Hamasaki is going completely deaf, she said on her blog Team Ayu on Saturday (May 20).

Hamasaki, who is the best-selling Japanese solo artist of all time, has been deaf in her left ear since 2008.

But her right ear has now begun to weaken, the 38-year-old said. She was nauseous and had vertigo just before this year's concert tour.

"I was told after various hearing tests that my right ear (which has been working overtime to compensate for the deafness of my left ear) is quickly weakening," she wrote.

"I was experiencing crippling dizziness. I was unable to walk in a straight line, and was often vomiting in the restroom while at the rehearsal studio."

The prolific singer and performer said she felt lost after the revelation. 

"I remember wondering how would I as a singer be able to cope with two useless ears. I was in the dark," she said. 

Hamasaki's ear condition stemmed from a cold that she caught during her 2000 Act I concert tour.

She caught a cold and a ear infection, but continued touring after a few days in hospital.

Doctors told her to ease her exposure to loud noises, but she did not cancel or postpone any tour dates until much later. She also continued to work at a frenetic pace in the years after.

By 2008, she was deaf in her left ear. The queen of J-pop was thought to have tinnitus, a ringing in the ear that can be caused by constant exposure to sound.

Even now, she vows to continue performing. "The stage is where I belong. It's the only place I really, truly exist. I don't know anything else," she wrote, according to Japanese entertainment sites.

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Ishibumi Tragic history set in stone

An annual ritual on Japanese television on or around Aug. 6 is a number of special programs about the atomic bombings of Hiroshima and Nagasaki. Truth be told, after many years in this country I tune out more than I tune in. Just as the bombings were political acts, so are the many memorial programs that repeat an unimpeachable message — "No more Hiroshimas and Nagasakis" — with an implied subtext of Japan as blameless victim that elides more than it illuminates.
One film about the Hiroshima bombing that drills into emotional bedrock instead of retailing familiar platitudes is "Ishibumi," ("Stone Monument") Hirokazu Koreeda's reworking of a classic 1969 TV program produced by Hiroshima Television. The movie is currently screening at PorePore Theater in Tokyo's Higashi Nakano district and elsewhere around Japan.
The focus of the original TV program and the book that accompanied it were the 322 first-year students and four teachers at Hiroshima Second Middle School who were engaged in demolition work only 500 meters from the hypocenter of the blast and died either on the spot or soon after. Their survivors gathered testimonies about their last words and actions that formed the basis of the book and program.

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