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Actress Erika Sawajiri tests negative after admitting drug use

Actress Erika Sawajiri, arrested for allegedly possessing the synthetic drug MDMA, has tested negative in a urine test for MDMA and other illegal drugs, police said Wednesday.
After she was arrested last week, the 33-year-old told investigators that she obtained MDMA from an acquaintance a few weeks ago at a nightclub and admitted to taking the drug, also called Ecstasy.
MDMA usually goes out of a person's system within two to three days after taking it, and Sawajiri took the test on a voluntary basis on Saturday, the day she was arrested, according to the Metropolitan Police Department.
The police are trying to trace how she obtained drugs by analyzing data in a confiscated mobile phone, among other steps.
Sawajiri was quoted as telling investigators, "I first used illegal drugs more than 10 years ago, and I also used marijuana, LSD, and cocaine," according to the police.
The police searched her home in Tokyo on Saturday morning when she returned after a night out at a club in the Shibuya shopping and nightlife district, and found 0.09 gram of powder containing MDMA.
She did not have any illegal drugs in her possession when she came home. MDMA is a popular street drug especially among young people.
Sawajiri was cast to play the role of 16th-century Japanese warlord Oda Nobunaga's wife in public broadcaster NHK's historical drama series "Kirin ga Kuru" in 2020.

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J-pop star Ayumi Hamasaki is going completely deaf

Japanese pop star Ayumi Hamasaki is going completely deaf, she said on her blog Team Ayu on Saturday (May 20).

Hamasaki, who is the best-selling Japanese solo artist of all time, has been deaf in her left ear since 2008.

But her right ear has now begun to weaken, the 38-year-old said. She was nauseous and had vertigo just before this year's concert tour.

"I was told after various hearing tests that my right ear (which has been working overtime to compensate for the deafness of my left ear) is quickly weakening," she wrote.

"I was experiencing crippling dizziness. I was unable to walk in a straight line, and was often vomiting in the restroom while at the rehearsal studio."

The prolific singer and performer said she felt lost after the revelation. 

"I remember wondering how would I as a singer be able to cope with two useless ears. I was in the dark," she said. 

Hamasaki's ear condition stemmed from a cold that she caught during her 2000 Act I concert tour.

She caught a cold and a ear infection, but continued touring after a few days in hospital.

Doctors told her to ease her exposure to loud noises, but she did not cancel or postpone any tour dates until much later. She also continued to work at a frenetic pace in the years after.

By 2008, she was deaf in her left ear. The queen of J-pop was thought to have tinnitus, a ringing in the ear that can be caused by constant exposure to sound.

Even now, she vows to continue performing. "The stage is where I belong. It's the only place I really, truly exist. I don't know anything else," she wrote, according to Japanese entertainment sites.

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Ishibumi Tragic history set in stone

An annual ritual on Japanese television on or around Aug. 6 is a number of special programs about the atomic bombings of Hiroshima and Nagasaki. Truth be told, after many years in this country I tune out more than I tune in. Just as the bombings were political acts, so are the many memorial programs that repeat an unimpeachable message — "No more Hiroshimas and Nagasakis" — with an implied subtext of Japan as blameless victim that elides more than it illuminates.
One film about the Hiroshima bombing that drills into emotional bedrock instead of retailing familiar platitudes is "Ishibumi," ("Stone Monument") Hirokazu Koreeda's reworking of a classic 1969 TV program produced by Hiroshima Television. The movie is currently screening at PorePore Theater in Tokyo's Higashi Nakano district and elsewhere around Japan.
The focus of the original TV program and the book that accompanied it were the 322 first-year students and four teachers at Hiroshima Second Middle School who were engaged in demolition work only 500 meters from the hypocenter of the blast and died either on the spot or soon after. Their survivors gathered testimonies about their last words and actions that formed the basis of the book and program.

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Love

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We Made A Beautiful Bouquet review: A bittersweet but realistic love story

Starring Masaki Suda as Mugi and Kasumi Arimura as Kinu, We Made A Beautiful Bouquet is a bittersweet love story between the two. As if by destiny, a chance encounter leads to the discovery that they both share a lot in common, be it music, movies or books. But as they progress through different stages of life, their four-year relationship meets many challenges and eventually turns sour.
We Made A Beautiful Bouquet was directed by Nobuhiro Doi and written by Yuji Sakamoto, a screenwriter known for his cracking dialogue and complex characters. Both previously worked together on Japanese TV series Quartet, which snagged a number of awards including Best Director and Best Screenwriter in Japan's Television Drama Academy Awards. We Made A Beautiful Bouquet does not pale in comparison either, for the plot is weaved with minute details that make the love story so brutally honest.
In the beginning, you can feel with the characters as they go through a period of bliss and uncertainty regarding their budding relationship. The feeling that this may be “the one” is described through the way the two characters interact and seem to click right from the start. It also helps that Suda and Arimura look compatible and not awkward.
Furthermore, it is very interesting to spot little hints in the film that indicate the status of their relationship. One particularly subtle hint is their shoes. When they first meet, apart from shared interests, their tastes are so similar that they even have the same pair of shoes. But you will soon notice the cracks in their relationship when one scene shows Kinu still has the same sneakers, but Mugi has a pair of loafers.
As their relationship comes to an inevitable end, instead of a straightforward break-up like you would expect in romance films, the realism of the end of a relationship is brought out. The couple struggles to come to terms with what is happening, and makes futile attempts to save the relationship, such as wilfully suggesting marriage will make things better. It is refreshing to see how these conflicting emotions are depicted, which adds depth not only to the characters, but also to the love story itself.
However, this is not to say that this is a sorrowful romance film. Instead, like its title suggests, it is more like a beautiful bouquet — everything looks perfect at first and the flowers will eventually wither, but what was once in their hands is still a precious memory.
In addition, as the plot spans five years from 2015 to 2020, there are a couple of Japanese pop culture references that go with the year, which people who are familiar may notice. For instance, there is a scene at the karaoke room where the song RPG (2015) by J-pop band Sekai No Owari or End Of The World is sung. Other references include Nintendo Switch and video game The Legend Of Zelda, popular Japanese mobile game Puzzle & Dragons, and the mentioning of idol group SMAP who disbanded in 2016.
The movie may seem long with a runtime of 124 minutes, but We Made A Beautiful Bouquet is not an overly artistic film that can definitely be enjoyed by many young adults. Fans of Suda can also catch snippets of the actor-singer singing!

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