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Sōta Fukushi, Kasumi Arimura Star in Strobe Edge

21-year-old actor Sōta Fukushi and 21-year-old actress Kasumi Arimura will star in the live-action film adaptation of Io Sakisaka's adolescent romance manga Strobe Edge. Fukushi will play the story's cool school idol, while Arimura cut her hair by 20 centimeters (about 8 inches) into a bob to play the heroine.

Both stars received their big break by appearing in the NHK serial television "novel" Amachan last year. Oricon ranked both #1 among up-and-coming actors and actresses for the last half of 2014. While this is the fourth time the two have co-starred together, this the first film in which they appeared together.

This will be the first film adaptation of Sakisaka's "traditional school romance" story, which has sold 4.5 million copies. The shōjo romance manga ran in Bessatsu Margaret from 2007 to 2009. Viz Media published the 10th and final volume of the manga in North America in May, and it describes the manga's story:

What is love, anyway? Ninako Kinoshita's friends tell her it's one thing, but Ninako wonders what this mysterious feeling really is. When she meets Ren Ichinose, a handsome, enigmatic guy who all the girls worship, her life takes an unexpected turn. With just a few words and a smile, he changes her world...

Fukushi (live-action Library Wars/Toshokan Sensō) is also starring in the live-action film adaptation of Muneyuki Kaneshiro and Akeji Fujimura's Kami-sama no Iu Toori (As the Gods Will) manga on November 15. Arimura plays the title character in Studio Ghibli and Hiromasa Yonebayashi's When Marnie Was There film this summer.

American Library Association's (ALA's) Young Adult Library Services Association named the original manga in its 2014 list of Great Graphic Novels for Teens. Sakisaka is now serializing another manga called Ao Haru Ride in Bessatsu Margaret, and that manga is inspiring both a television anime this summer and a live-action film this December.

Director Ryūichi Hiroki began filming the Strobe Edge movie in January in Niigata Prefecture, and the film will open in Japan next March.

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Mao Inoue Is Making Her Return to Acting!

Actress Mao Inoue will finally be making her long awaited return to acting! According to Yahoo! Mao will be playing the role of a female teacher in a Fuji TV drama series that will begin airing in October.
This will be Mao’s first appearance in a drama series since the 2015 Taiga drama “Hanamoyu”. After the release of “Hanamoyu” Mao did not sign on to appear in many projects, her sole role being a voice acting spot in the CGI children’s movie Rudolf the Black Cat. The same month the movie was released Mao announced that she would be parting ways with her agency “Seventh Avenue”, whom she belonged to since the start of her career as a child actress.
Even though Mao signed to another agency, tabloids had a field day using this as evidence that Mao was ready to settle down and perhaps marry her longtime rumored boyfriend Jun Matsumoto, member of the Johnny’s group Arashi. No marriage announcement was made and Mao continued to keep a low profile. She would occasionally be tracked down by paparazzi who would ask her about Jun, only for her to dodge the question.
The drama series is tentatively titled “Tomorrow’s Promise”, and will deal with the heavy issue of suicide among high school students. It’s rumored that Yukie Nakama will also be starring in the drama series.
Mao debuted at 1992 in the drama series “Gakko ga Abunai!”, she was only five years old! Her breakthrough came with the 1999 TBS drama series “Kids War: Zaken na yo“. Eventually Mao went on to star in a remake of “Hana Yori Dango” in 2005 which further launched her career to new heights. Mao continued to appear in multiple acclaimed and successful projects including “Oba: The Last Samurai”, “Ohisama”, and “Rebirth” cementing her status as one of Japan’s top actresses.

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Ayumi Hamasaki Losing Hearing in Right Ear; Already Deaf in Left Ear

Since the mid-2000s, a huge topic among fans of J-Pop Empress Ayumi Hamasaki has been about the gradually worsening condition of her hearing. From feelings of sorrow, to worry, to being the butt of a joke from haters, as a singer, it has no doubt affected her vocal technique.
Today, the Ayu took to her Team Ayu blog to talk about her current health condition and revealed that her right ear is beginning to weaken after years of compensating for her fully deaf left ear.
After talking about her knee injury recovery, Hamasaki writes:
Just before this year’s tour began I received a second blow – my hearing started to deteriorate further. My semicircular canals had blown, and I was experiencing crippling dizziness. I wasn’t able to walk in a straight line, and was often reduced to vomiting in the restroom at the rehearsal studio. I tried to put a brace face on things, but was told after various hearing tests that my right ear (which had been working overtime to compensate for my deaf left ear) was weakening fast. I don’t have a clear memory of my journey home after that. I just remember wondering how I, as a singer, would cope with two useless ears. Other than that, I was in darkness.
None of this is surprising considering how her left ear got in such awful condition.
During her concert tour 2000 Act 1, Ayu caught a cold accompanied by an ear infection. She was warned by her doctor that she needed to ease up her exposure to loud noises so her ear infection could heal. However, she only spent a few days in the hospital to recover to get back to touring and surrounding herself with loud noises. Being the hard-working and motivated business woman she is, at the top of her game and fame and devoted to her art and the coins, she did not cancel or postpone any tour dates until Act 2.
During performance rehearsals for her DOME TOUR 2001, it was believed that Ayu began suffering tinnitus, a ringing in the ear that is caused by constant exposure to sound.
Despite the numerous warnings for years that she should avoid loud noises and ease up on her immense touring schedule, Ayu continued at full speed. For years to come, she continued her schedule of at least one tour per year, a New Year’s countdown concert event and appearances at a-nation each year.
In 2007, just before the Countdown Live concert celebrating the start of the new year and her 10th anniversary as a singer, Ayu’s ear began bothering her again. She insisted her new ear monitor was bothering her, but expressed privately that she was concerned about the health of her ear.
In late 2008, the condition was deemed irreversible by her doctor. Ayu went to a doctor and was given the unfortunate news that her ear had gone completely deaf, and there was no treatment. She posted on her TeamAyu blog a few days later to notify her fans, promising to continue being a singer regardless and vowed to go ahead with an upcoming tour of Asia.
“Nevertheless, I would like to continue as a singer. That’s why I would like to continue singing until I reach the limit with my remaining right ear,” she wrote at the time on her members-only fan site. “I won’t stop. I won’t make excuses. As a professional, I would like to deliver the best performance for everyone.“
Feeling lost with the possibility of not being able to do what she loves, a message of encouragement from a friend reminded her who she was. In today’s post, Hamasaki admitted that she should “probably stop performing,” but that isn’t something she is prepared to consider:
The stage is where I belong. It’s the only place I really, truly exist. I don’t know anything else. There’s no point in worrying about what lies ahead. I will keep listening, even if I can’t hear. I will keep moving, evening if I can’t move. I’m not looking for sympathy or pity. I will hold my head high and keep going forward until my last breath.
The reality of the situation brings on mixed feelings: Ayumi Hamasaki’s outlook and dedication to what she loves doing is both commendable and inspirational, but at the same time, her determination to actively work against her health is entirely distressing.
Selling over 50 million records throughout her career, making her best-selling Japanese solo artist of all time, she has definitely changed the landscape of the music scene in Japan but it’s incredibly disheartening to think about her career’s impending expiration date.

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Girl of the Day: Japanese beauty Reon Kadena

Time for yet another Girl of the Day for you all to cast your eyes over and enjoy and, once again, we are bringing you a very beautiful woman as our Girl of the Day. Following the success and popularity of yesterday's Girl of the Day, Japanese star Ai Shinozaki, we decided that we would stick with what works and bring you another beautiful Japanese talent as our Girl of the Day for today.
As with yesterday's Girl of the Day, if you know much about the Japanese entertainment industry, then there is no doubt that you will know of the name Reon Kadena and will have seen some of her work. As well as being a beautiful and successful model, doing a number of modelling shoots in Japan, Reon Kadena has also tried her hand at acting, appearing in a number of low-budget Japanese movies over the course of her career.
During her acting career, we have seen Reon Kadena appear in such low-budget Japanese movies as Triple-H (2004), Leon (2004), Girl’s Desire (2004), Virginity (2005), Style (2005), Make You Happy (2006), and My Reflection (2006), while it is probably fair to say that the biggest movie she has worked on to date is God's Left Hand, Devil's Right Hand (2006), which is a chilling horror movie from the highly respected Japanese director Shusuke Kaneko.
Reon Kadena is one of those Japanese women that has a body to die for but, as well as that, she also has the cute, sweet and innocent face which gives the perfect balance of seduction and innocence. The tiny gap between her teeth gives Reon Kadena a gorgeous smile that goes towards giving her the whole package. Reon Kadena is a stunning model and we look forward to seeing what is next for her career.

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