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Maeda Atsuko Pop Star and Actress Living Life Her Way

mobitv 2024. 02. 23. 15:38

Since leaving her position in the wildly popular idol troupe AKB48 in 2012, Maeda Atsuko has been exploring her range as an actor. In 2022 she appeared in the film version of a hit 2015 play as part of a star-studded cast. A talk with Maeda about her acting career and the challenges she faces as a working mother.

Playwright and director Nemoto Shūko, who writes and produces all the pieces for an eponymous monthly theater troupe, first presented her piece Motto chōetsu shita tokoro e (To a More Transcendent Place) in 2015. Recently, she also helped adapt it into a screenplay for the 2022 film version, which featured a star-studded cast including Maeda Atsuko, Kikuchi Fūma of the pop group Sexy Zone, and Chiba Yūdai.

The film’s director, Yamagishi Santa, who made a name for himself with the 2018 drama Bōkyaku no Sachiko (Forgetful Sachiko) and music videos for pop star Hoshino Gen, depicts the painful story of four women who struggle with the trials of love and their attraction to “bad boys,” using unexpectedly bold compositions and visual techniques.

In the film, one of the bad boys in question is struggling musician Reito (Kikuchi Fūma), who shows up out of the blue looking to room with Machiko, played by former AKB48 star Maeda Atsuko. He treats her with condescension and privilege, despite not even paying any rent or living expenses. Machiko eventually begins a romantic relationship with him, but is outraged to learn that his ex-girlfriend still sends him money every month.

“I like the worldview that Nemoto brings to her work,” says Maeda. “When I read the script, there wasn’t a single part that I didn’t get. The whole time I was acting, I was thinking ‘I bet this is what Nemoto felt.’ All the scenes full of anger and tears seemed to come from a much more emotional than rational space, so I told myself not to think with the head. How do you react to what your partner brings? We all have moments where we use our heads to think, like concentrating on work or hanging out with friends, but I think we also have others, like when you’re fighting with your partner, and you encounter this unknown part of yourself.”

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Maeda Atsuko: Pop Star and Actress Living Life Her Way

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Kiritani Mirei gives birth to first child

mobitv 2024. 02. 19. 14:53

On July 6, actress Kiritani Mirei (30) updated her Instagram account announcing the birth of her first child, a baby boy. Her husband, actor Miura Shohei (32) also made the announcement via his Instagram account.

Kiritani wrote, "I am very sorry to be talking about my personal matters, but I gave birth to a baby boy the other day. Thankfully, both myself and baby are healthy." She expressed, "I am thankful that he was born healthily. From now on, we will do our best as a family."

Kiritani continued, "Right now, I really feel the preciousness of life. My heart aches from the heavy rain damage. I am praying from the bottom of my heart that the damages won't get any worse."

Miura similarly stated, "Right now, we live in unprecedented times with lots of sad news around the world. I hope that things don't get any worse."

The two deepened their relationship after co-starring in Fuji TV's drama 'Suki na Hito ga Iru Koto' in 2016 and tied the knot in July of 2018. Earlier in February, Kiritani announced that she was expecting her first baby.

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KIRITANI MIREI GIVES BIRTH TO FIRST CHILD

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Silent Love Formulaic romance strains credulity

mobitv 2024. 02. 15. 15:00

Star-crossed romance has long been a staple in Japanese cinema, though medical catastrophe, more than a disapproving society or opposing parents, has become a common force tearing lovers apart in contemporary films. This does not always mean a tragic finale: In Takahisa Zeze’s 2017 hit “The 8-Year Engagement,” the heroine recovers from a long coma to wed her devoted fiancee.

Eiji Uchida’s “Silent Love” adds a twist to this staple trope — both principals are afflicted with disabling conditions: Mika (Minami Hamabe) is an aspiring pianist who was blinded in a traffic accident, and Aoi (Ryosuke Yamada), a custodian at Mika’s music college, is mute from a wound incurred in a street brawl.

Based on Uchida’s original script, the film is a full-throated melodrama like his 2020 “Midnight Swan,” a box-office smash that won a pile of awards in Japan. But while the earlier film said something true about the marginalization of LGBTQ+ people in Japanese society, the new one feels antiquated and artificial, devolving into cliched action that seems to belong in another movie.

Also, Uchida’s two leads — unknowns compared to “Midnight Swan” star Tsuyoshi Kusanagi, a former member of the J-pop mega-group SMAP — don’t add much depth or nuance to their stereotypical characters. Not that actors even better than Kusanagi, who won prizes for his hammy turn as a transgender entertainer, could have transcended the formulaic script.

The story begins with Aoi stopping Mika from flinging herself off a rooftop in despair. Distraught, she doesn’t thank him for saving her life, and, unable to speak, he can’t greet her when he sees her later on campus. Instead, he becomes her silent protector, helper and, if you view his infatuation negatively, stalker.

Soon enough, they establish a fragile channel of communication with the aid of a small bell Mika dropped on the rooftop and later recognizes when Aoi rings it. Noticing that she wants to practice on a piano in a room off-limits to students, Aoi finds the key, opens the door and escorts Mika in. Although he delights in her performance, she is dissatisfied since her hand was injured in the accident.

Then, she asks him to play for her, mistaking him for another piano student. Eager to please, he comes up with a subterfuge: Ask a handsome and arrogant piano virtuoso, Kitamura (Shuhei Nomura), to be his stand-in. Kitamura agrees to play for pay as he is dangerously indebted to an underworld casino, but his fee forces the already cash-strapped Aoi deeper into poverty.

At this point, I was expecting an ironic O.-Henry-like twist — think “The Gift of the Magi” transposed to modern-day Japan — but the plot instead drags in gangsters, metal objects wielded as deadly weapons and other elements that take “Silent Love” into a noisy, violent manga-esque place indeed.

This turn of events is not unexpected — we see early on that the hot-tempered, working-class Aoi can hold his own in a fight — but it leads to developments that strain credulity. And the privileged Mika fails to make an obvious moral choice I won’t detail.

O. Henry, who honed his storytelling technique while serving time for embezzlement in the Ohio State Penitentiary, would have created a more self-sacrificing and sympathetic heroine. In “Gift of the Magi,” Della cuts her magnificent hair to buy a present for her beloved; Mika would have sent him a ¥500 Amazon gift certificate.

SILENT LOVE FORMULAIC ROMANCE STRAINS CREDULITY

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2nd Live-Action Assassination Classroom Film Casts Aguri Yukimura

mobitv 2024. 02. 13. 22:49

This year's 41st issue of Shueisha's Weekly Shonen Jump will announce on Monday that Mirei Kiritani (live-action Gyakuten Saiban/Ace Attorney's Mayoi/Maya) will join the cast of the second Assassination Classroom film, Ansatsu Kyōshitsu: Sotsugyō-hen (Assassination Classroom: Graduation Edition~), as Aguri Yukimura.

In addition, the film cast the original "God of Death." [highlight white text to read spoilers] Arashi band member Kazunari Ninomiya, who is voicing Koro-sensei for the live-action films, will also play the God of Death.

The film will open in Spring 2016.

The first live-action film adaptation opened in Japan on March 21. The Fantasia International Film Festival in Montreal hosted the film's international premiere on July 17. The Fantastic Fest film festival, which will be held in Austin, Texas from September 24 to October 1, will screen the film's US premiere.

Eiichirō Hasumi (Umizaru films, Wild 7) directed the film, and Tatsuya Kanazawa (Saru Lock The Movie, Lucky Seven) wrote the script.

Viz Media is publishing Yūsei Matsui's original manga in North America, and it describes the story:

A humorous and action-packed story about a class of misfits who are trying to kill their new teacher – an alien octopus with bizarre powers and super strength! The teacher has just destroyed the moon and is threatening to destroy the earth – unless his students can destroy him first. What makes things more complicated is that he's the best teacher they've ever had!

The television anime series premiered in Japan on January 9, and Funimation streamed the series as it aired. A second series will premiere in 2016.

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2ND LIVE-ACTION ASSASSINATION CLASSROOM FILM CASTS AGURI YUKIMURA

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Japans Gaga to launch sales on Tatsushi Omoris Mother at EFM exclusive

mobitv 2024. 02. 08. 8:28

Japan’s Gaga Corp is handling international sales on Tatsushi Omori’s Mother and will introduce the title to buyers at the upcoming European Film Market (EFM) in Berlin.

Starring Masami Nagasawa (Our Little Sister) and marking the first feature of child actor Daiken Okudaira, the film follows a young boy struggling with an alcoholic mother who forces him to extract money from his grandparents, rather than sending him to school. The cast also includes Sadawo Abe (Birds Without Names).

Currently in post-production, the film is scheduled for Japanese release in the second or third quarter of this year. Gaga is also part of the production committee that produced the film.

Omori is known for The Whispering Of The Gods (2005), which played at Locarno Film Festival, and The Ravine Of Goodbye (2013), which won the jury prize at the Moscow International Film Festival. His last film, Taro The Fool (2019), also touched on the issue of delinquency and under-privileged youth.

Gaga also recently picked up international rights to Keisuke Toyoshima’s documentary, Mishima: The Last Debate, featuring restored footage of a famous debate between Yukio Mishima and students at Tokyo University in 1969, just one year before Mishima’s death.